A photographic project, to maintain uniformity and compactness, "often" is carried out with a coherent and well-defined technical line; a certain type of camera, a certain range or type of lens, a certain type of lighting, a certain type of post-production, etc. 

[The bodies] on the beach opposes this idea, and not at all out of spite. For the shots of this album I used various approaches: from professional  digital cameras to amateur ones, film cameras with various types of rolls, even in some cases I used my cellphone. The same also applies to the choice of lenses and methods of post-production.

The main idea was to follow my mood each time, just like the mood of the sea which varies from one day to the next, indeed, from one moment to the next! Each day, each season, and in each place, my mind's eye interacts differently with the beach. After all, the beach for me, like any other landscape, is nothing but a state of mind. And my each state of mind chooses it's own vision. 

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The images here are part of a much larger series.